Collection: Macro & Close-Up Guitar Skins

Close-up artwork turns a guitar body into a field of fine detail, from water drops on a leaf and crocodile skin to tiger fur, pheasant feathers, cracked tree rings and a circuit board. Each design comes as a 50×60 cm body sheet or a 27.5×33 cm pickguard sheet in high-gloss laminated vinyl.

  • Full body 50×60 cm or pickguard sheet
  • High-gloss laminated vinyl
  • No clear coat needed
  • In stock or printed to order
Sizes, fitting and questionsShow less

Two sizes, one design

The full body sheet (50×60 cm) covers the front and sides of any guitar or bass body in one piece. The pickguard sheet (27.5×33 cm) carries the whole design scaled down, ready to cut to a Tele or a Strat pickguard.

Fitting takes an afternoon

Sand, clean, lay the skin on, warm the curves with a hairdryer and trim the routes. No spraying, no booth.

Prefer it ready-made?

Every design here also comes UV printed on a copper-shielded pickguard, or in the box with a bound TL-style kit or body: the binding makes fitting the skin easy.

Common questions

Will a close-up texture look right on an offset or single-cut body?

Yes, because patterns like fur, scales, carbon weave and feathers repeat across the image, so trimming to any body outline keeps the texture continuous with no obvious missing focal point. Designs with a clear subject, such as the lips or the grin, are best centred on the lower bout before you cut.

Does the photographic detail stay sharp at full body size?

The 50×60 cm sheet is printed at a scale that keeps droplets, hairs and circuit traces crisp when seen at normal playing distance. The high-gloss laminate adds depth to wet looks such as the dewdrop leaf and water drops, and no clear coat is needed.

How do I clean a skin with a fur or glitter print?

The fur, glitter and scale effects are printed images on a smooth laminated surface, so a soft damp cloth is all it needs. Avoid solvents and abrasive polishes, which can dull the gloss finish.